This was a very unique experience to be a part of. Unlike any opera I have ever performed in before, Les Bienveillantes shines a torch on humanity at it's utter worst. The story is centred around a highly disturbing Nazi Officer during the second world war. The music was based mostly on Bach chorals, but Hector spent time in Auschwitz while composing the piece and I feel that his music was strongly influenced by the time he spent there. This production brought many challenges to us as performers. One of the main obstacles was the mud that was used to literally flood the stage. It made the floor quite slippery and so you had to be conscious of every move. It also meant that the technical team and costume department would spend hours after every performance cleaning it up again! They also managed to have a flying grand piano in this production. At first I was terrified to walk underneath the piano - incase it fell. But we soon learned that it was very safely floating above our heads the whole time. It's amazing what our talented technical team can achieve. https://operaballet.be/en/programme/2018-2019/les-bienveillantes Photos: Annemie Augustijns
0 Comments
Leave a Reply. |
AuthorJennifer Coleman - is a classical / opera singer, and vocal coach, performing across the UK and internationally. Archives
January 2024
|